Saturday, February 28, 2009

PDX ART: "Variations" by R. Schemmerer


"is twinsations"



"is the quandary of fantasy"



"is the breath out of fresh air"



"is the gravitas grasping for solitude"



"is the life not ment to be entertaining"



"is the history looking at its future"



"is the inside of the self"

variations on portraits
by R. Schemmerer

Friday, February 27, 2009

PDX ART: Aaron Yassin at Chambers Gallery

Wid Chambers moved his gallery
from the old Elizabeth Leach location
to this swanky new space in the Pearl

Current Exhibit:

Aaron Yassin: IMPEIBOCHK

February 05 - March 31, 2009
-learn more
at www.chambersgallery.com






Tuesday, February 24, 2009

PDX Art: "Broken Desire"


Broken desire
Not to be a clone, not to be alone, not to be afraid, not to say goodbye, not to play stone death was my unbroken desire.
There is a space in myself that is undivided by answers. No questions cloud the openness of the minds sky. Opinions are like onions when peeled away they make grown ups cry.

Self-portraits have a certain polemic attached to it. They are a cry for communication, a need to share ones identity, a call for recognition.
Can you see your self in me or do you see only distrust.
Life is a contest where the winner dies as a hero and the loser lives on but is forgotten.
The brain is like a nest with trillions of eggs each one ready to hatch to form its own destiny. A self-portrait is like a low-resolution image of the real thing. It is inconclusive, almost infinite with all the left out possibilities, which linger in the sphere of the unrepresented.

Self-portraits can be elitist because they illuminate a facet of the human diamond by exclusion of the value of others.
The other is only recognized as a replaceable observer and marginalized in the ponzi scheme of fame.

A self-portrait is like planting a rock in fertile ground and hoping for a wonder, a natural not a super natural wonder.
The self is the seed, the portrait is the soil with the audience as the nourishment.
The result though is not predictable and like the rock the self will not be able to sprout if neglected.

One can only assume nothing because only nothing exists in abundance. Unless we materialize it nothing exists to our senses.
Sometimes I wish my self-portraits would beget life and take on the task I assigned them too and nourish me in return for giving them existence.
There is a void that divides us and it is rooted in judgment, in differentiation.

I am not the thought, I am not what I feel, I am not what I see but I am the sum of my I am nots.
I make a sound but I am not the sound. I eat but nothing feeds me. I love but I also destroy.
There is a nexus between unreality and hyper reality, which is plain reality. The daily rituals have to be performed like an actor to co-exist with what automatically exists.
I have no map and no guide that’s why I keep creating portraits of my self.
Sometimes I paint my self abstract free of limitations other times I am the ape that looks out trying to comprehend other times I have the face of a woman lost in a mans body or the looks of a man longing to be a horse.
I am not part of the majority actually I am not part of anything but part of everything.
I resemble a tapestry of other people’s impressions an amalgam of history and future possibilities.
I constructed my self out of pre-given pieces like ready-mades.
I borrowed knowledge and stole emotions from tabloids and TV soap operas.
Pleasure duped me in believing that I was special only to lose the pleasure by being duped.
My intend was to prove what can’t be proven or can only be proven by believing which proves nothing.
My life was supposed to be a homage to the greatness of humankind but every new high top reached made humans look less kind.
The foundation I had built the portrait of my self had been flawed had been corrupted by others and I was set up to collapse sooner or later. Like as if collapse was the whole purpose of life.

To be just another stereotype was not part of the dream of my life as I had developed a broader concept of self but in a cultural context I am not even a structure to be trusted in.

On the way to become whole I became a calculating being, a human doing working on its own undoing.
I am still able to indulge in observation but the stimulus button of life has begun to get numb by pushing it to hard.
Nothing can surprise me, puzzle me because I avoided to be myself and spend to much effort portraying myself as something different, something shinier, something more unusual because to be common was like a premature death sentence.
Now I ended up having to many faces staring back at me and each one is staking claim to be the real me but my true self is banned to a life behind bars.

Sunday, February 22, 2009

PDX Art: "Nine Gallery" at Blue Sky Gallery Portland






PDX ARt: Harell Fletcher "Songs from the Treetops", group show at Pdx Contemporay Art

contact www.pdxcontemporaryart.com









Statement:
In these times of economic desperation, (or even just during the desperation of everyday life in general) it is understandable that people would find escape routes into alternate realities. For some people that is as easy to do as turning on the TV or slipping into a haze of web sites. The stereotype of an artist is a person who disappears into their own studio and self on a regular basis to appear later with the resulting art pieces for the general public to appreciate and possibly acquire. In my own work I've largely eschewed that approach in favor of direct interactions with everyday reality that often times doesn't result in the production of an object at all. But my past artistic interests come from more traditional cloistered retreats into personal moments of representing imagined worlds. I have a love for that kind of work, and though my appreciation for art in general has diminished over the years there are still examples that stand out to me as remarkable. In these cases I am glad that the artists didn't make the work solely for themselves and instead in one way or another have shared their unique views with the public including myself. In the work presented here at PDX, I have selected artists who specifically address the idea of constructed landscapes in various forms. I feel like I have been enriched by these artist's endeavors and in turn, want to share that experience with you. –Harrell Fletcher


Saturday, February 21, 2009

Friday, February 20, 2009

Thursday, February 19, 2009

PDX Art: Feeling a touching show at Everett Station Lofts

Opening
First Thursday March 5th
6 till 9 Pm

Melissa Sillitoe, Producer/Hostess
Show and Tell Gallery
@ Everett Station Lofts
625 NW Everett Street #231
Portland, OR 97209
503-459-1703
www.showandtellgallery.org
www.myspace.com/showandtellgalleryproductions

17 + artists in a fun filled show
special event on Monday, March 9th






"Ero"
wool felt, hair , lurex



"Heart core"
felt, nylon, rabbit hair



"Touch me one more time"
felt, wood



"Oposites attract"
wool, wood sticks, rabbit hair



"Fragile"
knitted wool



"fuzzy feelings"
knitted effect yarn



"Bedazzeled"
raw felt , rock, plastic pearls



"Common ground"
knitted wool & Basket ball



"Fertile"
wool felt & ping pong balls



"Handle with care"
mixed media




"Skin Tight"
Vinyl, paint, wool felt over wood frame



Melissa Sillitoe, Producer/Hostess
Show and Tell Gallery
@ Everett Station Lofts
625 NW Everett Street #231
Portland, OR 97209
503-459-1703
www.showandtellgallery.org
www.myspace.com/showandtellgalleryproductions