Saturday, August 28, 2010

PDX Art: Assessing Alberta Street by Richard Schemmerer































































all images copyright Richard Schemmerer


Assessing Alberta Street

Is it controversial to live out ones freedom and use public space for public display of this very freedom?
I guess it is because nobody really lives in a true Democracy.

Alberta Street once was a slum, a ghetto; an abandoned neighborhood left to thugs, dealers, prostitution and murderers who kept the people who lived their hostage with the threat of violence.
Crazy gays, free thinkers and artists moved in to take the neighborhood back. Nobody from the other side of the river cared; nobody came and helped for a long time. A view inspired business oriented individuals opened up galleries and cafĂ©’ s anyway and believe it or not as soon as the hype started and the news got out that this infiltration of hope has begun to slowly change the hood to a community the gentrification advocates moved in.
Properties where gobbled up like cheap muffins in the bin from the day before. The word went out that this was an artist pallozza and hordes of visionaries started invading Portland to set up there alternative households. The Cultural Creative’s followed in their cum trail like the good copy cats they are.
The Burners came to the monthly art events added some spectacle and the art got better and the low end collectors flocked to this art enclave in the hope to catch a rising star on the cheap bent of the price curve.

The bordered up buildings came back to live as installation spaces. Artists where used to advertise real estate held onto by black and white and Latinos alike in the hope for quick profit during the speculation boom.
It worked for everyone but the low cost housing people and the artist coops that started to get priced out of the former ghetto. It’s an old story that repeated itself throughout the adjacent fringe areas like Mississippi Street but unlike Alberta on Mississippi the big developers mobbed right in.
There was no resistance against gentrification but on Alberta it was not that easy. Protest tags stated to pop up against any attempts to Star Buck’s like stores to come in instead the independent fashion designers wanted a piece of the art pie and opened up poppy stores with hand made goods.

The shootings stopped moved to other dark corners and commerce exploded, bloomed in wild ways unregulated free of hurdles child like in innocence almost like back to the times of barter and trade.

Like so many times a bad thing turns good turns to big for its own good and everyone becomes greedy and unhappiness settles back in as if this was the normal stage of humanness.
Control becomes a dividing issue and late comers to the table claim their stake and take away the origins not knowing the history of the place. Organizations are formed to milk for the highest benefit and unrest becomes the stable ground for an uncertain future.
The City shows off its police force and a standoff becomes unavoidable and nothing can be reversed to the same innocence because it has been tainted by fear mongery. The powerful wield their wands over the powerless and the miracle turns into a tragic comedy, a foot note of history.
“Remember when” is the sentiment we’ll all remember. I remember because I was one of the first to set up to bring in my energy to make this place shift towards a sustainable future and I acknowledge that Alberta Street has changed in ways nobody could have imagined.

It is a success story of the individuals that took their rights in their own hands not waiting for a hand out but come up with a creative approach, an alternative to generic consumerism where almost everything is produced in China causing this nation to be indebted to a dictatorship into the unforeseen future.

Leave Alberta alone I say let this social art project work itself out and then let’s learn from its good aspects. Copenhagen has its Christiana an enclave that is seen more like a laboratory for human development because the Danes’ understand that capitalism erodes the human spirit just as much as any other to narrow of a system that’s used to lead masses of people.

Humans need play grounds to explore their own outer and inner limits and that’s why Alberta Street was and is such a success. It is almost like a miracle mile maybe even longer than a mile that inspires the ones who walk it or set up with their creation; inspires awe in us and reminds us that we are not just animals that have to follow our herd instinct but can be distinct in our own rights.
Just like the jungles and rain forests harbor unknown miracle cures we don’t know yet what potential slumbers in the individual and only if we allow space to test it out will we reap the benefits of what makes us human in the first place, our innate curiosity and a need to challenge authority when it becomes to self indulgent.

Monday, August 16, 2010

PDX Art: Sanctuary or Fire in the street by Richard Schemmerer

Sanctuary or Fire in the street

Sanctuary I cry not for you not for me, Sanctuary not a place of exploitation, Sanctuary not a private property for wealth for the few but a welcome to the “Age of Elevation.”
Mantras are sprayed like bombs of undeclared wars over fields of hope, a field that belongs to all and so does the harvest of what we have sown.
Public has become private, alive is the new dead, rules are not just broken but shattered with the same old tools and rebuilt with paint and kisses.
The concrete jungle is blooming in patterns and glyphs, has a new face and it speaks the language of the restless that are looking for a place in the heartland of our cities.
They don’t look for hand me downs but for a shared experience that brings happy back. The deck has been reshuffled. Welcome to the renaissance of good will and even better behavior.
I am an Earthling and so can you






Monday, August 9, 2010

PDX Art Outsider: Outside the system; Collage by Richard Schemmerer

yesterday is a breath away tomorrow comes in a blink of an eye
where has all my sorrow gone forgotten are the rotten days
the end has no time the no-man's land is mine





"where did my future go"
acrylic on canvas board
16 x 20
$ 1500





"the devil is in the detail"
paint, collage on board
18x 24
$ 1200



"head games"
paint, collage on wood
12x 16
$ 800

Outside the system of ignorance

art
crime
rimes chimes with lyric
on walls tectonic inside the
resistance of simple romance against
the machine fed by the mean on the margins
to every ones garbage paint becomes the weapon to
let words bust out onto walls that thirst for a new messages