Thursday, October 28, 2010

PDX Art: "Images or sucking on razor blades" by R. Schemmerer





Images or sucking on razor blades



Images convey impressions of right and wrong of insecurities and discomfort of joy, surrender, belonging or otherness.

Images have no identity until we identify with them by giving them a label.
Grace and disgrace are just thought patterns following pre-programming by command, which is triggered by visual stimulation and compared with indoctrination of prior experience.

The original sin is that we know about it, know that something has occurred and now we can judge it through free will.

Stop searching for Utopia, it’s in a place called nowhere, an idea everyone already had but wise ones throw back out with the baby and the bath water. This is where Utopia is. This is it your foot is touching it your lunges are breathing it.
If you don’t do it I will because I know that you know what’s missing is the marginalized other.

It’s not about stopping you in your tracks it is about laying new tracks over overlooked grounds.
To make something out of nothing is not possible but to alter something that’s been there all along and to give it a new shape that is what art does.
But what is truly important about this is not the art as a result but the process that informs the shape of things to come because the things learned in the process are the things that are going to alter our reality for the better.
Every new idea leads to another where old ideas are dead ends. Sometimes old ideas are revisited to be reassembled and used as the building blocks of future creations.

Life is a constant update of status. Living means to reaffirm and update ones personal opinion to the satisfaction of our self image and to tell ourselves that what we are up to and up against in our struggle for realization and against extremism in its negative forms.

Extreme painting points us to the crevasses, which are artificially opened by diverse forces, political and religious who feed of our paranoid tendencies to fill their pocket books.
Refraction bounces of our daily world like a mirror fractured by opposites.

And all I wanted is for the light to be turned on in my head.
The battle used to men versus nature but maybe in truth it always was men against itself as seen in the other.
There is no way around it that living has an aftermath and we are responsible for the planes we inhabit. We can’t avoid making a mark but what kind of mark is it going to be when we leave the Earth behind.
Our impact lives on long after we are gone. What lives on in my head will materialize at some point even if I have forgotten about it.
Consider the end of your life while you live it. It used to be paradise but now it's everybody’s playground. Outsourcing has become in sourcing has become a catch phrase has disconnected us to our heritage and reconnected us to a greater world at the same time.
We are the messenger and the message we are expecting to receive. We are the notes we leave for others. We are the markets and the mark makers. Mark my word and asked yourself: what if the space you need to live is taken from someone else’s space to live and survive.

Tuesday, October 26, 2010

PDX Art: Nowhere Art Collective at Appendix Project Space

Appendix is a great space giving diverse artists and collectives room to explore bigger concepts beyond the four walls.

America is built on a Myth some take that Myth as truth others realize that Myths are a tool to encourage us to live up to a higher potential.

This installation seems to deal with the idea of taking flight and landing mentally and physically reminding us that both don't always reach their target.

It is okay to lift up to lofty heights but when the currents of time take us nowhere we missed our destiny.
Of course there is always the pleasure of the ride but will that be enough in the long run or lead to a predestined fatal crash.



" Nowhere" a collective at Appendix Project Space












"Nowhere" is an art collective established in 2005 and based in Portland, Oregon.
The Nowhere team Matt McCalmont, Brennan Conaway and Charissa Niles—are in the midst of a series of work inspired by the American West and the myths, past and present, that abound there. With an intricate melding of history, travel, survival, and invention.
Nowhere's work elucidates connections we may take for granted and does so with an eye to the future.

Appendix Project Space is located in the south alley between 26th and 27th Avenues off of NE Alberta Street in Portland, Oregon.

www.nowheregallery.org
www.appendixspace.com

Monday, October 25, 2010

PDX Art: Richard Schemmerer at VK8 Vinyl Killer 8 at The Good Foot









PAZ: VK8 Vinyl Killer 8 at "The Good Foot" curated by Jason Brown


please join me to see this amazing show with some of the best local & international new brow artists




01 acrylic on record
by
Richard Schemmerer
$ 75



02 acrylic on old record
$ 75




03 acrylic on old record
$ 75




04 acrylic on old record
$ 75




05 acrylic on old record
$ 75

Vinyl Killers 8 opens on October 28th in Portland, Oregon at The Goodfoot. The Goodfoot is located at 2845 SE Stark St. and is open daily from 4 PM to 2:30 AM. The show will be up until Nov 30th.

The often imitated, never duplicated, OG vinyl art show, Vinyl Killers returns this October for another round of rescuing long forgotten records from the world’s landfills. This year there have been at least 6 other vinyl shows in Nor...th America alone and interest in the artform is at an all time high. After seven annual shows and several touring exhibits Vinyl Killers remains committed to staying open call, independent, D-I-Y, and free of corporate sponsorship.

Since it’s inception in 2003 Vinyl Killers has showcased well over 1000 records painted by artists from around the world. A quick glance at the VK website shows both the genres global influence and the absolutely amazing things that are being done with paint and old records. Media recognition for this innovative show includes The Art Of Rebellion 2 and Stencil Nation, and features in numerous international street art magazines and blogs. In 2005 Klutch, the founder and curator of VK, had the room that he decorated with painted records for San Francisco's Hotel Des Arts featured in Time magazine.

more info at

www.thegoodfoot.com

all art will also be available over the net after Oct. 31
at
www.thegoodfoot.com/gallery



xoxo

Thursday, October 21, 2010

PDX Art: Interview with Nora Robertson





Nora Robertson sets out to demonstrate the simplest of dishes, the hard-boiled egg, but the lesson soon goes awry as surreal interludes of virgin sacrifices to a Ghanaian snake god, a 60’s Hollywood dinner party and a deviled egg recipe intrude.

Based on Robertson’s 2007 Pushcart Prize-nominated poem, “How to Boil an Egg”, this experimental short video punctures the notion of the housewife who can keep her family safe through wholesome food and hygiene. Collaborators include poet and performer Nora Robertson, video artist Jason Bahling, musician Tim John O’Brien and writer Mark Russell.











PDX Art interview with writer • performer • producer Nora Robertson





photo credit
Dan Kvitka


Nora Robertson writes fiction, poetry, reviews, and essays, which have appeared in such publications as Plazm, Redactions, Alimentum, Monkeybicycle, Citadel of the Spirit: Oregon’s Sesquicentennial Anthology, 2GQ, and Portland Monthly. Her recipe poem, “How to Boil an Egg,” was nominated by Redactions for the 2007 Pushcart Prize. Her performance work has been showcased in Portland in the Enteractive Language Festival, the Public Works series curated by 2 Gyrlz Performative Arts, Phase One: Words + Music, and Performance Works Northwest’s Alembic Series in Housebound; most recently, she produced and hosted the New Oregon Interview Series, which explores Portland’s evolving creative culture through interviewing the artists and culture makers themselves both live and for print. She lives in Portland, Oregon.
--------------------------------------------------------------------------------


Hi Nora thanks for doing this

What part of your life’s back round story would you like to share with us and which parts would you like to be invented?

The parts I'd like to share are that we were a very literate and artsy family.

The parts I'd like to invent is where I inherit some money and go off to live in a village in Spain and write pieces for the New Yorker.

Tell me about your art & writing practice?

I try to write everyday and be unsentimental about editing it. I also joined Tom Spanbauer's Dangerous Writer's workshop this year, and that has been enormously helpful.

How did you land in Portland and what other city or place would you compare Portland too?

Portland was the big city to someone growing up in Eugene. When I moved back here from Romania, it seemed natural. Some of what Portland does with fashion and small-batch production reminds me of the ateliers in Barcelona. I've heard some people say Portland is a little European in some of its emphasis on working to live and quality of life. Also, urban planning.


What does Art mean to you and for the future of human development?

Art is the thinking woman's religion.

How close have you come to become your own mother?

I think once you're out, you're out. I do believe in killing your father though.


Who are your hero’s and who are society’s enemies?

I'm a fan of conceptual artists like Yoko Ono and Mark Rothko, and postmodern writers like Haruki Murakami. I also really like Jonathan Ames, Aimee Bender and Wonder Woman.

Apathy is an enemy of the people.


What does going out on a limb mean to you?

One time I went out on a limb was when I moved to Romania with a one-way ticket and about $1000 in my pocket. I didn't know if I would be able to stay, especially when the economy privatized and there was a 250% inflation. But the fact that I was there without support actually helped me because I ended up making much deeper connections with the community than if I'd been getting dollars from a program somewhere.
Once my entire paycheck was docked for a month due to an accounting error, and the Jewish choir where I was singing ended up giving me permission to go to the free lunch cantina, but only after I faced the board, which was all elderly Holocaust survivors. That lunch ended up being the only thing I ate for a month. I'm still writing about that year.

What are your idiosyncrasies?

I'm very attentive to detail. But I'm also kind of spacey. Which usually cancels each other out.


Anais Nin once said “we are like sculptors constantly carving out of others what we long for”What are you carving out?

A life worth living.


You wrote a poem titled “My Husband as a Sensitive Instrument” if you had to assign a dish for women or men that describe the differences which would it be?

Food is not really about gender, even if sometimes we try to make it be. I think a nice grilled steak can swing both ways.

You seem obsessed with food and words alike what triggered such a mélange of delights?

The thing about food is that it is almost never just about feeding ourselves physically. It has all these other associations, like family history, politics, mythology, personal history, body image, desire. I think all those things go into the act of eating and become part of us. That's why people get insulted when you don't like their family's food.


You are working on a project with Jason Bahling and Tim John O’Brien. How do you like to collaborate and what can we expect to experience and when and where is going to happen?

Jason is the video artist I collaborated with for the upcoming film, The Body Show: The Humble Egg, and he just made an exciting move to New York.

Jason and I will continue to collaborate on new films in the Body Show series via the interwebs and visits for shoots. The New Oregon Interview Series will be continuing online as a print series on the new Plazm blog coming soon as a presentation by New Oregon Arts & Letters.


You have a web site and blog that features interviews and events. How do you see this endeavour to progress and where do you see your future self down the creative road?

The blog gives me a space to explore things I come across which are either just funny or seem telling about Portland arts and culture, and sometimes other places too.
I also present original work by myself and other people, and occasionally help get the word out for events.

I'd like the blog to develop into guerrilla journalism.


Anything else you’d like to share?

I once was invited to be a kickboxing instructor.



Thanks Nora for doing this




find out more about Nora at

her blog

www.norarobertson.org

Tuesday, October 12, 2010

PDX Art: "Some like it sunny side up" by Richard Schemmerer




Some like it sunny side up

Love can only be satisfied by more love but the craving for it will destroy everything there is to love.
The art of love has become the new religion with sex as its centerpiece its altar for sacrifice and lust as its clergy. The orifice has taken God’s place and heaven is a place in the head, a prolonged orgasm or mind fuck.
I am looking backwards thinking time passes by our creation; thinking that that time is always the same because it doesn’t exist. Once I stop existing I am also going to stay the same.
Life is constantly unfolding in a post war era never in a pre-war because we internalized the war and are waging it against nature. From the moment I took my first breath nature was against me the very nature that created me was out to get the life it gave to get it back.
There are many ways to paint a tree if that’s what it is and that’s life. Life is what it is labeled by us. Somebody’s hell is another ones heaven. There is no message, no quest, not one truth unless that’s the message which we carry like a batch of disputable honor.
Wonders happen all the time like every breath is a wonder an electrifying gravity defying synchronized performance of disparate body parts working in unison for one fucking breath and then another one and another. So perfect that I have stopped thinking about it fallen asleep during it.
All I need to complete this task of living is my breath and the billions of others who join me in breathing in togetherness conscious or subconscious sharing inhaling each other.
There is only one side that is sunny side up the other is easy over
There is only one world I can live in
Even while I dream about another
And there is only one world I can make a better world
Even while I dream about another
There’s is only one way to stop my superfluous fantasies
Even while I keep on dreaming
There is only one place I can see for what it is
Even while I pretend it isn’t so


xoxox

Saturday, October 2, 2010

PDX Art presents "Tender Loving Empire" Portland

"Tender Loving Empire"

is a small social conscious multi media empire
with a print shop
a music label
art gallery and store
and more
but check it out yourself and talk to Andrew Sloan about their latest CD
Friends & Friends of Friends Vol 3





















upcoming events

For October's First Thursday Hungry Eyeball curated "Buzz" with art by Wesley Younie, Amy Ruppel, Kinoko, Chelsea Fletcher, and Rebecca Artemesia.
Also Y La Bamba will be doing a special in-store performace.
















Step into the stitched and stuffed world of Kelly Rundle's artshow
"Things That Don't Belong To Me".

if you've been looking for a Tender Loving Empire look no further

www.tenderlovingempire.com


xoxo

Friday, October 1, 2010

PDX Art: Adam Sorenson at PDX Contemporary Art Gallery

"New Westerns"

Adam Sorenson at PDX Contemporary Art Gallery




















Strikingly beautiful this show reminds us that not all is ugly in this world and that it depends on what we focus on how we perceive reality.

Leaning heavily on traditional Japanese painting styles this exhibit is as refreshing as a dip in a pool of electrifying color.

Sensual and alarming at the same time the paintings invite us to contemplate our past and future while we stand in the now in front of them mesmerized by there power to engage and stimulate our physical system.

Ecstasy is just a thought or a painting away


Adam Sorenson at
at
www.pdxcontemporaryart.com


xoxo