Friday, March 24, 2017

Art by Richard Schemmerer at Anne Bocci Gallery

zzzzzzzzzzzzz


Art Opening

Thursday, April 6 at 5 PM - 8 PM


Anne Bocci Boutique & Gallery
416 NW 12th Avenue, Portland, Oregon 97209


more info at

https://www.facebook.com/events/1913072485590481/

https://www.facebook.com/annebocciboutique/

presenting

Art by Richard Schemmerer

Richard Schemmerer is an international artist, writer, designer who has exhibited world wide in many venues from blue chip galleries to independed spaces. His art is a reference to the past that shows us a way into the future

Contemporary Urban Art Paintings
inspired by the poems of Arthur Rimbault

Tracing the source of frequency

As we live in and contemplate the world around us we are faced with the reality that we are still in many ways the same people like in the Middle ages but technology is not. We have entered a paradigm shift with the digital revolution but our mind thinks still in analog terms of right or wrong. Our body-system reacts to impulses of the survival instinct and many times we interact on the base of the strongest takes it all.
In many ways we are bombarded with information these days that was never available to the ordinary human. That is a good and a bad thing depending on our needs to find balance in that Urban jungle we prefer to live in.
My paintings don't display a point of view or judge but they capture moods and ways of thinking to mirror these states of being and to help us reflect on the frequencies we expose ourselves daily. They are a primordial depictions of creation as it unfolds from a none descript mass into solid forms with assigned purpose.



"Dawn"

36x36 $ 800
mixed media, Acrylic on paper mounted on card board



Dawn

I have kissed the summer dawn. Before the palaces, nothing moved. The water lay dead. Battalions of shadows still kept the forest road.

I walked, walking warm and vital breath, While stones watched, and wings rose soundlessly.

My first adventure, in a path already gleaming With a clear pale light, Was a flower who told me its name.

I laughted at the blond Wasserfall That threw its hair across the pines: On the silvered summit, I came upon the goddess.

Then one by one, I lifted her veils. In the long walk, waving my arms.

Across the meadow, where I betrayed her to the cock. In the heart of town she fled among the steeples and domes, And I hunted her, scrambling like a beggar on marble wharves.

Above the road, near a thicket of laurel, I caught her in her gathered veils, And smelled the scent of her immense body. Dawn and the child fell together at the bottom of the wood.

When I awoke, it was noon.

Arthur Rimbaud







"Sensation"

36x36 $ 800
mixed media, Acrylic on paper mounted on card board




Sensation

In the blue summer evenings, I will go along the paths,
And walk over the short grass, as I am pricked by the wheat:
Daydreaming I will feel the coolness on my feet.
I will let the wind bathe my bare head.
I will not speak, I will have no thoughts:
But infinite love will mount in my soul;
And I will go far, far off, like a gypsy,
Through the country side-joyous as if I were with a woman.

Arthur Rimbaud





"Conclusions"

24x24 $240
acrylic on paper mounted on card board




Conclusions

The pigeons which flutter in the meadow,
the game which runs and sees in the dark,
the water animals, the animal enslaved,
the last butterflies!.. also are thirsty.
But to dissolve where that wandering cloud is dissolving -
Oh! Favoured by what is fresh!
To expire in those damp violets
whose awakening fills these woods?

Arthur Rimbaud



"Metropilitan"

36 x 48 $ 1800
mixmedia, acrylic on canvas




Metropolitan

From the indigo straits to Ossian's seas,
on pink and orange sands washed by the vinous sky,
crystal boulevards have just risen and crossed,
immediately occupied by poor young families
who get their food at the greengrocers'.
Nothing rich.-- The city! From the bituminous desert,
in headlong flight with the sheets of fog spread
in frightful bands across the sky,
that bends, recedes, descends,
formed by the most sinister black smoke
that Ocean in mourning can produce,
flee helmets, wheels, boats, rumps.--
The battle! Raise your eyes: that arched wooden bridge;
those last truck gardens of Samaria; those faces reddened
by the lantern lashed by the cold night;
silly Undine in her noisy dress, down by the river;
those luminous skulls among the rows of peas,--
and all the other phantasmagoria-- the country.
Roads bordered by walls and iron fences
that with difficulty hold back their groves,
and frightful flowers probably called loves and doves,
Damask damning languorously,-- possessions of magic
aristocracies ultra-Rhinish, Japanese, Guaranian,
still qualified to receive ancestral music-- and there are inns
that now never open anymore,--
there are princesses, and if you are not too overwhelmed,
the study of the stars-- the sky.
The morning when with Her you struggled among
the glittering of snow, those green lips,
those glaciers, black banners and blue beams,
and the purple perfumes of the polar sun.-- Your strength.

Arthur Rimbaud




"City"
24x24 $240
acrylic on paper mounted on card board




City

I am an ephemeral
and a not too discontented citizen
of a metropolis considered modern
because all known taste
has been evaded in the furnishings
and the exterior of the houses
as well as in the layout of the city.

Here you will fail to detect the least trace
of any monument of superstition.
Morals and language
are reduced to their simplest expression,
at last! The way these millions of people,
who do not even need to know each other,
manage their education, business,
and old age is so identical
that the course of their lives
must be several times less long
than that which a mad statistics
calculates for the people of the continent.

And from my window I see new specters rolling through
the thick eternal smoke--
our woodland shade, our summer night!--
new Eumenides in front of my cottage
which is my country and all my heart
since everything here resembles it,--
Death without tears,
our diligent daughter and servant,
a desperate Love, and a pretty
Crime howling in the mud in the street.

Arthur Rimbaud





"Movement"

24x24 $240
acrylic on paper mounted on card board



Movement

A winding movement on the slope beside the rapids of the river.
The abyss at the stern,
The swiftness of the incline,
The overwhelming passage of the tide,
With extraordinary lights and chemical wonders
Lead on the travelers
Through the windspouts of the valley
And the whirlpool.
These are the conquerors of the world,
Seeking their personal chemical fortune;
Sport and comfort accompany them;
They bring education for races, for classes, for animals
Within this vessel, rest adn vertigo
In diluvian light,
In terrible evenings of study.
Arthur Rimbaud



Common Nocturne

24 x 48 $ 900
acrylic on canvas




Common Nocturne

A breath opens operatic breaches
in the walls,-- blurs the pivoting of crumbling roofs,--
disperses the boundaries
of hearths,-- eclipses the windows.

Along the vine, having rested my foot on a waterspout,
I climbed down into this coach,
its period indicated clearly enough
by the convex panes of glass,
the bulging panels, the contorted sofas.

Isolated hearse of my sleep,
shepherd's house of my insanity,
the vehicle veers on the grass
of the obliterated highway:
and in the defect at the top
of the right-hand windowpane
revolve pale lunar figures, leaves, and breasts. --

A very deep green and blue invade the picture.
Unhitching near a spot of gravel. --
Here will they whistle for the storm,
and the Sodoms and Solymas,
and the wild beasts and the armies,
(Postilion and animals of dream,
will they begin again in the stifling
forests to plunge me up to my eyes
in the silken spring?)
And, whipped through the splashing of waters
and spilled drinks, send us rolling
on the barking of bulldogs...
--A breath disperses
the boundaries of the hearth.

Arthur Rimbaud




"Mystic"

24 x 48 $ 900

acrylic on canvas



Mystic

On the slope of the knoll angels
whirl their woolen robes
in pastures of emerald and steel.
Meadows of flame leap up to the summit of the little hill.

At the left, the mold of the ridge is trampled by all the homicides
and all the battles, and all the disastrous noises
describe their curve. Behind the right-hand
ridge, the line of orients and of progress.

And while the band above the picture is composed of the revolving
and rushing hum of seashells and of human nights,
The flowering sweetness of the stars and of the night
and all the rest descends, opposite the knol
l, like a basket,-- against our face, and
makes the abyss perfumed and blue below.

Arthur Rimbaud





"Democracy"

36 x 48 $ 1800
mixmedia, acrylic on canvas



Democracy

'The flag goes with the foul landscape,
and our jargon muffles the drum.'
In the great centers we'll nurture
the most cynical prostitution.
We'll massacre logical revolts.

In spicy and drenched lands!--
at the service of the most monstrous
exploitations, industrial or military.
'Farewell here, no matter where.

Conscripts of good will,
ours will be a ferocious philosophy;
ignorant as to science, rabid for comfort;
and let the rest of the world croak.
This is the real advance. Marching orders, let's go!'

Arthur Rimbaud




"Eternity"

12 x12 $ 120
acrylic on paper on card board



Eternity

It has been found again.
What ? - Eternity.
It is the sea fled away
With the sun.

Sentinel soul,
Let us whisper the confession
Of the night full of nothingness
And the day on fire.

From human approbation,
From common urges
You diverge here
And fly off as you may.

Since from you alone,
Satiny embers,
Duty breathes
Without anyone saying : at last.
Here is no hope,
No orietur.
Knowledge and fortitude,
Torture is certain.

It has been found again.

What ? - Eternity.
It is the sea fled away
With the sun.

Arthur Rimbaud





"Royalty"

12 x12 $ 120
acrylic on paper on card board



Royalty

On a brilliant morning, in a city of lovely people,
A wonderful man and a wonderful woman
Were shouting out loud, in the middle of town:
'Oh, my friends... I wanter her to be queen! '
'I want to be a queen! '
She kept on laughing and trembling,
While he talked to his friends about revelations,
And tribulations at an end.
They laughed and they leaned close to one another.
And, of course, they were royal...
All morning long, when scarlet draperies hung upon all the houses,
And even in the afternoon,
When they appeared at the edge of the gardens of palms.

Arthur Rimbaud






"The Soul"
20 x 28 $ 600

acrylic on canvas



The Soul

Eternal Undines, split the pure water.
Venus, sister of azure, stir up the clear wave.
Wandering Jews of Norway, tell me of snow;
old beloved exiles tell me of the sea.
Myself: No, no more of these pure drinks,
these water-flowers for glasses;
neither legends nor faces quench my thirst;
singer, your god-child is my thirst so mad,
a mouthless intimate hydra
which consumes and ravages.

Arthur Rimbaud






"Youth"

20 x 28 $ 600
acrylic on canvas



Youth

I.
_Sunday_
Problems put by, the inevitable descent of heaven
and the visit of memories and the assembly
of rhythms occupy the house,
the head and the world of the spirit. --

A horse scampers off on the suburban track,
and along the tilled fields and woodlands,
pervaded by the carbonic plague.
A miserable woman of drama, somewhere in the world,
sighs for improbable desertions.
Desperados pine for strife, drunkenness and wounds.
-- Little children stifle their maledictions along the rivers.
Let us resume our study to the noise of the consuming work
that is gathering and growing in the masses





"Departure"

24x48 $ 990
mixed media, acrylic on canvas


Departure

Everything seen...
The vision gleams in every air.
Everything had...
The far sound of cities, in the evening,
In sunlight, and always.
Everything known...
O Tumult! O Visions! These are the stops of life.

Departure in affection, and shining sounds.

Arthur Rimbaud




"Memory"

24x48 $ 990
mixed media, acrylic on canvas



Memory

Clear water; [stinging] like the salt of a child's tears,
the whiteness of women's bodies attacking the sun;
silken, in masses and pure lily, banners under the walls a maiden defended;
The frolic of angels - No… the current of gold in motion moves its arms,
dark and above all cool, of green. She [the weed] sinks,
and having the blue Heaven for a canopy,
takes for curtains the shade of the hill and of the arch.

II.
Oh! The wet surface stretches out its clear bubbles!
The water covers the made beds with pale and bottomless gold;
[it is as if] the faded green dresses of little girls
[were] playing at willows, out of which leap the unbridled birds.
Purer than a gold louis, yellow warm eyelid, the marsh marigold -
thy conjugal faith O Spouse! - at noon sharp,
from its dull mirror, envies the rosy beloved
Sphere in the sky wan with heat.

Arthur Rimbaud

Sunday, March 19, 2017

Portfunia


visit
http://portfunia.blogspot.com/?zx=1a6a2efb50af8cc9







"Just a normal day in paradise"
photography and head piece by Richard Schemmerer






Okay lets give this a try and interact. Portfunia Unleashed is a page I started awhile ago but it never got of the ground. Maybe the time is now in the ye of the impending end of good times. Portfunia is looking for the last remnants of the signs of the time the signs of the unleashed. As we are all herded around the daily news bowl and chow down what's served up piping hot we lost track of the creatively outrages inspiring uplifting works many are still engaging in or conspiring to do. The Arts are being cut not just like in circumcised but basically chopped like in Bobbitt of the Art body which is us.
Doing art is always an act of resistance to a system that is mostly enamored with control of mind body and our wallets. This doesn't have to an act of cry babe but can empower what we wrongly term soul but is in actuality a part of our intellect that is always searching for ways to express itself. If this channel is blocked by ourselves or others disease can manifest.
PORTFUNIA will go out on the streets of Portland and keep this queer light alive. WEIRD is good but not enough to be weird just for its own sake is narcissism. What I am looking for is a PULSE that is collective in Nature .
A sorts of renaissance of our highest ideals and greatest hits of human potential.
Yes that's a lofty goal but we have been dumbed down so we have to make up ground. Art is the holy ground we can meet on and prosper together.
Art not for arts sake but art that has a budget that can be used to counter act the upheaval the future is presenting us with.

Thursday, March 9, 2017

"The end seems closer in the rare view mirror" by Richard Schemmerer





"Self portrait of an terminal optimist" art by Richard Schemmerer




The end seems closer in the rare view mirror by Richard Schemmerer


I lost some identity by pleasing cultural trends and now while the Empire crumbles I want out. The masquerade ball is over and in brought daylight the lines on my face are showing the way. Usually men shave their heads or buy a fast car and I might follow that route later but first I give it one more push to push me into the lime light. It is time to loose the old mans attitude and to bring out my game face.

Nothing has unraveled yet all the factors are still in place. There is still a future in waiting a hope to draw strength from. No I am not forgetting the past but I am also not continuing to live it. I want to experience myself in a new way the way of tomorrow. I want to meet the unknown me the undefined one to make me once more raw in the head instead of hung up and smoked out.


I want to remember again with every breath of who I am what label I wear what cologne enhances my masculinity which hair cut lets me be a player and what books are tickling everyone’s funny bone. Feed me to the wolves if you want to and I'll come back stronger to tell about it. I want my tongue to taste life again like a first lick of blood that taught me what I like or don’t like. I am pushing all my silly buttons at once and watch the Jack in my Box bounce with excitement. I am having my Grace Jones moment I never left but I am still having a comeback and it will make Kenny Scharf’s world look pale in comparison.


I am the fish the salmon that returns to span for one last time for one last hurray to return forever in the eternal ocean.

The pieces are there now I have to set them in place to serve as my back drop. This is going to be a celebration in the midst of chaos and what ever will happen will be left I’ll use to rebuilt the world maybe not as we know it but as we get to know it.

My juices are boiling with a historical fire I learned about while this knowledge was still available. It was transmitted from person to person mentor to pupil and is not currently available for sure not on the Net.

I can make myself feel good by not holding back the best parts of my self not holding back of who I am because I can’t please everyone anyway. The final frontier is not space but it is the brain and its juice factory.

Attitude is the calling card tolerance the mantra.

I am developing into a human being not a human doing. I am designed to inspire so I might as well do it.

The end seems closer in the rare view mirror so its time to leave it behind.

Saturday, February 18, 2017

UNPRECIDENTED at Screaming Sky Gallery, Portland


Every four years we elect a new president and with it comes the struggle for identity not just as an individual but also as a country . What do we want to stand for as a society and are we going to cater to lowest denominator or our highest ideals together as an identifiable society. Fear is written big during these times and it is the artist choice to address these concerns from the various angels and art techniques that are available to us.
We have elected and allowed to elect a TV personality that was well know on his characters are well documented and were on display for everyone to observe. He become the 45th president of the USA and is making history as we breath the last breath of semi clean air.
The latest polls showed that 48 % approved of his handling of our affairs b=and 47 % disapprove. This means that we are in for the long haul and that artist once more have to be the watch dogs of our flailing democracy.

The capitalistic system is a dog eats dog debauchery and in that scenario we have to learn to pick the battles wisely but also not forget that only the high roads lead to unity. We are the future because we are allowing it to unfold under our eyes. We have to identify ourselves as the light bearers and guide the ones that are loosing under this system that enables the already rich to become also all powerful.

open for viewing on Presidents Day

more info at


https://www.facebook.com/events/2001653223394970/



Anne Bocci Boutique & Gallery, Portland


Anne Bocci Boutique & Gallery, Portland


Anne recently opened a new store in the Pearl featuring local designers, her own and other jewelery lines and art that caters to the finest tastes.
In her store you can find also Project runway winners Seth Aaron and Michelle Lesniak latest creations. She was named one of Portland's best boutiques five years in a row.

Right now Alexander Rokoff's art is on display and for sale also Anne Bocci's original oil paintings as well.

So if you want to stand out from the crowd with style and class Anne Bocci's boutique is the shopping head quarter for you.

more info at
http://www.annebocciboutique.com/

7824 SW Capitol Hwy (in Multnomah Village)
Portland, OR 97219 
 
phone: 503 313-2839


Please stop in our NEW store 
Portland's NW Pearl District
416 NW 12th Avenue
Portland, OR 97209



Saturday, February 11, 2017

"Update or Am I to old to become .. by Richard Schemmerer





Update

Am I to old to become just a memory or a male prostitute? Hey if Clinton can be an extra on the Hangover two I can still sell my services to the highest bidder to bed gallery owners, collectors, museum directors or any other prosperous prospects. I do wonder if it is worth my sperm.

Oprah’s next show is called Masterclass and I wonder what she will teach.

--- Update she no owns weight watcher while she eats her self back into her thin self the artiest time to elevate or was it levitate the stock price. The other Oprah news is that she just dumped the Gustav Klimt she bought for 79 millions if 2006 for 150 millions while still preaching that you deserve to be a gazzilionair and have a talk show segment on 60 Minutes.

I am tired of being the deer in the head lights of someone else’s fame I want to be the deer in the lime light but does that sound embarrassing. I use to be adorable even lovable the question is will I still be able to find me under that dull surface.

I grew into myself when punk ruled high fashion and nobody needed anyone’s approval for ratings. I was not a demographic to be catered too I was above and below that at the same time. I knew it couldn’t stay like Studio 54 forever and Culture Club with Boy George where doomed from the beginning but Punk felt like a true religion challenging the established doctrines to set the senses afire.

Madonna came into power with spiked bosom and a gay sensibility that changed the game. The cabala was still a mystery teaching not a club for house wife’s. Julia Roberts still played a hot hooker not a traveling midwife to secondhand spirituality in eat pray and love. Bjorn rapped a stuffed Swan around her neck at the red carpet Oscars instead of servicing Matthew Barney and Barney was still the Cremaster not a dilettante painting with fish blood hanging from the side of a moving sail boat. Nobody could spell Formaldehyde before Damien Hirst drowned one half of a cow in it and put it on display in a glass container where it was sold for millions and is still being preserved under high cost for posterity. Patriotism and nationalism were still bad words reminding us of a misguided past, Gautier was young and fresh and irreverent and Alexander Mc Queen was barely born and now he is dead.

Nobody had heard of a real estate bubble and didn’t know what a short sale was. The Euro didn’t exist beyond a far out concept and Y2K was just an Orwellian fluke; nobody was able to Google anything yet or refresh their memory on Wikipedia and face book was called My Space and was un-cool. Welcome to the promise of 2011 the year before 2012 or what some call the last apocalypse before the next one.

--- Update welcome to 2017 where a realty star is the president of fucking un-united states of hyper space. Yes Hell has frozen over and the fat lady sang the song from Titanic yes the one that sank

Okay see you on Whats' Up, Snap chat or Instagram and lets make face time soon on Marco Polo.

Thursday, February 2, 2017

Post card from Art Hell to the Dis Collective




No it was not the venue, the exhibit, a hot art fresh talent, a sexy German blond or a new gadget but an old man in a simple postal yellow suit that stole the show and made the drag that the art world has become all to obviously. What a great joke on the jokers the DIS collectives of the world the art monger and auction house whores, pardon my English.

He didn't care sure possibly empowered by a few Schnapps but who is counting who cares because nobody got the joke because they have given up their sense of self irony at the temple of art snobbery. Hail to the rebels who don't give a fuck if it matters.
My hats up for the mellow man in yellow at the biggest night in the German art year. The Biennale circus is more about the who wants to be seen by whom then the art because at the end everybody just bitches about the art mostly because they try to understand art and by doing so missing the point. In todays world of shifting parameters art that's easily understood is not art anymore but a product designed for a market usually of the moneyed.
Of course artists are seen like the horses ass nobody wants to really see. Horses are owned by well to do people and so are artists especially if we look at their employment through out history. So what's my beef? I have nor beef in this stew only that the pretenders are just that and it has to be said.
As the political climate changes some artist will ride the coat tales of the anti establishment or at least give lip service to it and others will go the more honest route and cater directly to the taste of the ones with the pent houses and Hollywood mansions.
And then their are the outliers that are tired of the lie and just are being themselves starving artist also called amateurs. Amateurs because if you can't make it as an artist you can't make it anywhere.

That brings me back to Berlin or Tokyo or LA and New York and all the Basel outposts that bombarded us with Art Fairs to get into to gawk not at the art but at the price tags. Am I barking to the wrong demographic possibly but the romantic notions attached to the art service industry is misplaced. Save the Romantic antics for your personal journal and smell the daisies they don't smell good.

Singularity is a word that comes to mind. The singular mind always tries to make sense out of things the group mind tries just to plainly dictate both are in desperate need for updating. we are stuck in the same argumentation mode and that means the wheel of fortune is going retrograde with every atom we split.

We have dated ourselves through our self indulged intellect and now the politics of the day mirror our stagnation. The technologies others invented for us overwhelm our sensibilities and lead to a consumer melt like a slushy of brain waves looking for a new brain that can contain all the trivial input and enables us to coexist in a multi tasking environment that only cares about the bottom line which is profit for the top in ranks.

Art yes back to Art and its exhibitionism as we stand in front of works created by others we feel empowered to become the judge in afield we have no expertise in just like the fat guy yelling from the side lines of the soccer field about the teams failure to produce the high of a goal. So what I am saying is that it is about the high and when we don't understand something we don't get a high but feel inferior which makes us angry that's why so many people are really angry at art and yes the how dare you become an artist type which leads to more artist make more angry art which has no buyers unless you are one of the ten famous living artists.

We are all stand ins for the dialog that unfolds like rose pedals laid out to dry on a hot field day in Mexico by cheap labor to be repacked in a fancy baggy with ribbon to be used at a pedal palooza for a wedding of a billionaire and his model escort from a former east block country to become years later the first lady of the most self important country in the world.